Showing posts with label Jordan Dane. Show all posts
Showing posts with label Jordan Dane. Show all posts

Monday, March 24, 2008

Jordan Dane is in the House!


I'm crazy about Jordan Dane. When we finally met in person at Bouchercon in Alaska, I felt as though I were getting together with an old friend. She has a big heart, and talent to match. On March 25th, she's going to step out into the world with a brand-new book, her debut and the first in a three-book series from Avon. No One Heard Her Scream has been labeled by Avon as Romantic Suspense, but what it really is is damned good suspense. Jordan's brisk, highly physical prose will grab you and leave you breathless until the book's--well--terribly appealing, sexy conclusion. She's such a dear, she wrote a little piece just for the Handbasket. Welcome, Jordan!

Yet Another Great Shoe Story
By Jordan Dane

Do you remember little Dorothy Gale? She was a terribly naïve teen from Kansas with questionable taste in fashion who owned a scruffy little dog named Toto. Dorothy used to daydream about traveling “over the rainbow.” (During the 60s, anyone might have accused her of partaking in one too many shrooms—but for the sake of this post—work with me.)
Before I sold, Dorothy and I had a lot in common, but like her, a looming cataclysmic event would change my future.
Avon HarperCollins purchased my debut series in auction and is about to launch an aggressive back to back release event for all three books April through June 2008. By the time my releases happen, I have no doubt my experience will be comparable to little Dorothy’s. She’d been swept away by a tornado from her black and white world into the cosmic rainbow colored realm of Oz with its Munchkins, Emerald City, and enchanted ruby red slippers.
Getting published in this manner can be exhilarating and frightening at the same time, like being sucked into a life-changing vortex and whisked away to a distant and strange land. Here’s my take on it.
Selling felt like it had taken an Act of God. But now that I have embraced a full-time writing life, there are days it feels like winged primates are dive-bombing my head with deadlines, copy edits, and promotion. And whenever insecurity creeps up like bad underwear—when I ask myself, “My God, what were you thinking?”—I pray my good witch Glinda (my agent) will swoop down and reassure me that I had the power all along. And that my bodacious red slippers, that I’d worn from day one, had indeed helped me weather the storm. The similarities are astounding. Don’t you think? And for a chance at finding charming reader companions like Scarecrow, Lion, and Tin Man, my future journey down yellow brick road may be fraught with wicked naysayer witches and indifferent review wizards.
Are you beginning to see the parallels like I did? (Pass the shrooms. It might help.)
I believe that if you squint real hard and get your head wrapped around this concept, getting published can feel like being blown into an alternative universe where snappy red slippers are not just a fashion statement. Depleting hourglasses, flying chimps, burning scarecrows, and witches who melt when doused by H2O can be daunting unless you know how to wield the power of a good pair of shoes.

So my question is—if you could possess magic ruby red slippers, what powers would they have and how would you use them?

Sunday, March 23, 2008

Film 101: The Third Man


What better way to spend a Saturday evening than dyeing Easter eggs and watching Joseph Cotten and Orson Welles in The Third Man? Carol Reed's Brit noir film gets better with each viewing--whether one is pulled in by the stunning cinematography and sharp editing, Graham Greene's atmospheric story that tiptoes between the gritty aftermath of WWII and the blossoming Cold War, or the brilliant acting between Joseph Cotten and Orson Welles (seen together also in Citizen Kane and Journey Into Fear). I love what this film says about loyalty and love and treachery, and how those three elements can get all bound up in one another.

But tonight I was particularly struck by Alida Valli, the stunning Italian/Austrian actress who played Orson Welles's love interest. She had a brief Hollywood career in the 1940s under the single name of "Valli," but she worked steadily in European film and television from 1934 to 2002. Watching her performance in The Third Man, it's easy to see why: not only was she physically stunning, but she was utterly sincere and committed to her role. She might have played a simpering, wounded and rejected heroine, but instead she projected just the right balance of fearfulness and naive bravery. Her decision to stand by her man on the basis of a relationship the viewer only gets to glimpse for the briefest of moments is utterly convincing--though the viewer knows it's a fruitless decision from the moment she makes it. It is one of the details that gets this film classified as classic noir. Of course, the ending of the film is classic Hollywood. They never could leave well enough alone.

If you haven't seen this tight, richly visual thriller since your Film 101 class, you might think about putting it in your Netflix queue. It never ages.

On Monday, I'm excited that my friend, debut thriller author Jordan Dane, will be here to share a bit of her thriller-writing wisdom. I'll be away eating Easter candy, working on edits for CALLING MR LONELY HEARTS and polishing up my review of Ted Dekker's new thriller ADAM.

Be well!